I have some work in a Redlands group jewellery/metal show coming up soon and also a piece selected for the Waterhouse Natural History Art prize in South Australia.
Lucky me!
Thursday, June 24, 2010
Wednesday, June 09, 2010
Growing things
Shannon is correct in saying that art like Wallum takes a long time to grow. Of course there is some that obligingly pops up like mushrooms overnight, but this is definitely not of the fungi variety. Maybe I am using the wrong fertiliser. I won't go into what makes mushrooms grow so well under commercial conditions but I'm sure you are all familiar with the substance.
I guess if these were any kind of fungi, these would be the tiny wild ones that may or may not pop up under decaying leaves and branches by their own unfathomable whim. Which leads me to suspect I have been inadvertently clever in not tidying up the rich litter layer that is my bench as it has finally produced some results.
These little leptospermum flowers scratched into ashphaltum coated silver plate by Shannon have been sitting on my bench mocking me for months, too precious to commit to. Visitors say 'what are you going to do with those?' I mutter expletives under my breath. But now I have a much more polite answer.
I think patience is a great virtue and one that is good to have when dealing with acid. Like gloves. They were etched very slowly over days in a very weak brew of nitric acid so the detail is superb even though the etch is shallow. I'm thinking of starting the slow etch movement. I'm sure it will make my practice even more lucrative and in this age of conservation it is probably time to start dissolving precious metals alot more slowly.
So after procrastinating for ages, I cut them out, soldered posts on the back, drilled some holes and made this necklace. It is very simple. Why I couldn't do that earlier I will never understand.
I guess if these were any kind of fungi, these would be the tiny wild ones that may or may not pop up under decaying leaves and branches by their own unfathomable whim. Which leads me to suspect I have been inadvertently clever in not tidying up the rich litter layer that is my bench as it has finally produced some results.
These little leptospermum flowers scratched into ashphaltum coated silver plate by Shannon have been sitting on my bench mocking me for months, too precious to commit to. Visitors say 'what are you going to do with those?' I mutter expletives under my breath. But now I have a much more polite answer.
I think patience is a great virtue and one that is good to have when dealing with acid. Like gloves. They were etched very slowly over days in a very weak brew of nitric acid so the detail is superb even though the etch is shallow. I'm thinking of starting the slow etch movement. I'm sure it will make my practice even more lucrative and in this age of conservation it is probably time to start dissolving precious metals alot more slowly.
So after procrastinating for ages, I cut them out, soldered posts on the back, drilled some holes and made this necklace. It is very simple. Why I couldn't do that earlier I will never understand.
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